Friday, October 15, 2010

The Two Years My Muse got Drunk in Hawai'i

There was a war on.

In October 1968, when my ship reached Pearl Harbor we were listening to Donovan's "Universal Soldier" on a large reel-to-reel tape deck in the USS Ranger's Public Affairs Office on the 03 level because it pissed off the chiefs and first class petty officers walking down the passageway to nearby berthing areas and the hatch to the flight deck.

Typical for a carrier on a Western Pacific cruise, we spent most of the time between our home port in Alameda, California and Pearl Harbor at General Quarters preparing for the necessary Operational Readiness Inspection.

That night, while I was leaning against a skid of bombs stowed outside the hatch to my birthing area, my muse whispered, "I am out of here. I'm heading to one of those nasty bars on Hotel Street for a case or two of booze. Don't try to find me."

"Why?"

"These bombs, for one thing."

"What about them?"

"Do you ever wonder whose names are on them?"

"I do."

"And that doesn't give you pause?"

"Yes. But unlike you, I can't avoid military service unless I run to Sweden or Canada."

"You should have run. Now you can't. Now you're here, wearing dungarees, a denim work shirt, and a round hat. So, you're off to Yankee Station. By then, it will be too late for the names on these bombs. I won't be part of it. See you around, loser."

I don't know how muses move. Perhaps they astral travel from place to place. Perhaps they transport like Captain Kirk did when he left his starship. Maybe it's all smoke and mirrors and they exist in a quantum state, entangled with whoever or whatever catches their fancy. How she left doesn't matter. What matters is the hint of jasmine from her old-fashioned L'Air du Temps perfume that hung in the air in the bomb assembly area.

Busy installing fins, boosters and lugs on each bomb, the men of G Division were oblivious to the jasmine. The scent was exceptionally strong near the long-handled, two-wheeled, yellow bobsleds of MK82s waiting for an elevator ride to the flight deck. She must have lingered there watching me, possibly trying to erase the names she could see on the bombs, names invisible to me, possibly inscribing a prayer for the not-yet dead or even a curse that might cause the bomb to end up being ditched at sea.

In spite of the shouting and clattering frenzy of the of the assembly area, I felt alone in some silent place where writers who have lost their voices are consigned for the duration. The duration referred to a multitude of eons, eras, periods, epochs and ages slated to end when...the Vietnam War was over...the USS Ranger returned to Alameda the following spring...the people of Sweden sent me a one-way plane ticket to Goteburg...or when the now muse-less writer came to his senses.

Suffice it to say, I was without a muse for many months, a year, actually, having--as people said--joined the Navy to let the world see me, in the Gulf of Tonkin, on the Star Ferry to Kowloon, on the beach at Kailua, in the shadow of the Great Buddha of Kamakura and on the mess decks, hanger deck, flight deck and other assorted compartments and spaces of the ship while the officers on the bridge wrote "steaming as before" in the deck log.

In one post, there is neither the time nor the space to record how many bottles of Scotch my muse consumed in Hawai'i for "the duration" any more than there's time and space to record how many Kirin and San Miguel beers I consumed in various liberty ports. I have said all I want to say about that, in a fictionalized way, in my novel Garden of Heaven.

It goes without saying that I didn't declare myself as a conscientious objector just to get my muse back. That, my fellow writers, was the least of my concerns. I was concerned about the bombs and the names and whether just being there on that ship made me into a co-conspirator of the war. Perhaps my muse sat on my shoulder while I wrote out my formal application for the chain of command. She refuses to tell me.

I finally left the Navy in October of 1970. My friends told me that's when I woke up and smelled the coffee. True enough. I remember the day I was handed my discharge papers and informed that short of a nuclear war, I would never be allowed in the Navy again. Up to that moment, I had been on my own recognizance, a Journalist Third Class Petty Officer with plenty of grit but no muse.

On that chilly October day, puffy white clouds rushed eastward across the blue sky with the incoming front and, as the afternoon wore on, there was a noticeable hint of jasmine in the air.

--Malcolm

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6 comments:

Collin Kelley said...

Great post, Malcolm. Thoughtful and evocative and very honest.

Sun Singer said...

Thank you, Collin. While the flight deck was the most dangerous and the most dynamio part of the ship, my memories focus on climbing over and around bombs in various states of assembly outside the compartment where I slept. Sleeping next to yet-to-be-unleashed destruction made quite an impression on me a year after I left the sheltered old buildings of the university where we held candle-light vigils and talked about the war in more abstrect ways.

Malcolm

Judith Mercado said...

Those times seem like they are part of another universe. Though it was necessary to pass through there to get through to here, it seems unreal. Well written.

Sun Singer said...

Right, Judy, I wouldn't be the same person without those strange days of being in the Navy. Not that every minute was bad, but the thing itself seems dreamlike now.

Thank you,

Malcolm

Susanne Iles said...

I've come back to this post four times already to re-read it again and again. Each time my heart beat a little faster and each time my thoughts raced through and around your words. You've given me so much food for thought....I'm so glad your muse returned from hiding in the shadows.

Sun Singer said...

Thank you, Susanne. As authors of fantasy and science fiction novels often say about the bad days of the past, those were "the dark times."

While I muse returned when I got out of the Navy, it would be over ten years before I could get started on any realistic attempts at book-length fiction.

I appreciate your stopping by.

Malcolm