Quick Sex, Weekend Relationships and Short Books

They came for Middlemarch (904 pp), but I didn't speak up for it because I wasn't a Victorian. Then they came for The Adventures of Augie March (608 pp), and I didn't speak up for it because I heard it was bad for the Jews. Then they came for Ulysses (556 pp), but I didn't speak up for it because I was still pissed off about having to read Finnegans Wake (672 pp) in school. Then they came for A Visit From the Goon Squad, which at 288 pages was suddenly too long, but by then nobody gave a what the what about books at all. -- Barbara Finkelstein: In Defense of Long Books

Barbara Finklestein tries to shame us into reading long books with her "Martin Niemöller guilt card," but it's too late.

Truth be told, the world is searching for one-minute orgasms, weekend relationships and short books. Anything longer requires commitment.

Word on the street is that if you can't get your foreplay done between text messages, your sex is out of hand. Sure,some (fewer every day) remember the good old days when still waters ran deep, but shallow is the new normal whether you're looking at a doctor's appointment, a marriage or psychoanalysis--much less a novel.

Actually, if you can remember the good old days, you're already behind the curve of the nine-second sound bite, 24-second news cycle and the nanosecond page load. Fast is good because it frees up more time for instant gratification.

Sure, some (fewer every minute) remember the good old days when we understood that "speed kills," but now anything else is too slow a way to die. These days, anything other than fast food is a waste of time, time that can be used for unlimited peak experiences and more input.

Needless to say, if you remember anything that happened prior to 30 minutes ago, you're spending too much time thinking and too little time keeping up with what's happening now. Here we're not speaking of the timeless "eternal now," but the temporal finite now. Even the word "now" has gotten too long.

In our rush, we've given up long books. Used to be, a long book was like a long marriage or sex that lasted all evening. Now, long books require too much commitment. We need to protect ourselves from commitment, that is to say, anything that requires more that a moment of our time. Otherwise, how foolish we are. Who wants to send a text message these days that admits to thirty minutes of anything?

Writers are already worrying about the day when a Tweet is the longest thing in the galaxy anyone will read.

One can't help but applaud an approach to life that offers a constant blank slate. Yesterday is not only irrelevant, it might not have happened. If you remember the uproar that hit the planet when the concept of "Situation Ethics" first came up, suffice it to say you're remembering an illusion. Yet, to forget is to have situation ethics and literature that fits on a cell phone screen and everything else that is the soul of wit.

Here's the important truth and there's no point in whining about it: Anything longer than a brief, shining moment is an eternity outside the boundaries of our attention span.

Malcolm R. Campbell is the author of "Jock Stewart and the Missing Sea of Fire," a satirical novel that you can be reading in less than a New York minute on your Kindle.

'Garden of Heaven' paperback price reduced 20%

Paperback Edition

I'm happy to announce that the retail price for the paperback edition of my novel Garden of Heaven: an Odyssey has been reduced by 20%. You will find the book on Amazon for $18.75.

Vanilla Heart Publishing's PDF-format edition of the novel is available on OmniLit for $5.99.

Garden on Heaven: an Odyssey is a hero’s journey novel about a man those first love was almost his last. You can learn more about the novel on its website and read an excerpt from the novel on fReado.

Publisher's Description

Electronic Edition

When nineteen-year-old David Ward climbs the sacred mountain Ninaistuko seeking a vision, the golden eagle of earth flings him back onto the prairie and the black horse of dreams shows him the future. Though his eyes are opened, fate hides exactly what he needs to know.

David has grown up on a Montana sheep ranch where bluebunch wheatgrass and rough fescue have long served, where the sky detests fences, where the seasons are task masters, where predators and gods strip the impractical from the bone.

As life draws him away, he leaves with powerful lessons learned from his grandparents. Jayee, his utilitarian railroad man grandfather, has taught him the language of the plains. Katoya, his mystical Blackfeet grandmother, has taught him the language of the mountains. He soon loses his fluency in both.

He meets his first love amongst Indian paintbrush and larkspurs in the high-country of the Garden of Heaven and then becomes separated from her on the far side of Florida's Crooked River in Tate's Hell Swamp. His life shatters into a kaleidoscopic puzzle.

David begins finding the widely scattered pieces at the summit of Chogori, the world's most difficult mountain, and on an aircraft carrier deployed to the Western Pacific during the Vietnam War. Others lie upside down in Chicago, Hawai'i, the Philippines and the Netherlands.

After he lands a teaching job at a small college in central Illinois, he suspects he was conjured there by a woman standing in the moonlight on Moon Hill. Siobhan, the wise woman in his life tells he will never understand what has happened to him until he can answer the question: "who tried to kill me and why?"

As a "light-dancer," he remembers well the alchemists' guiding principle: "By fire is nature renewed whole." He suspects all paths lead to that point.

Malcolm R. Campbell is also the author of "The Sun Singer" and "Jock Stewart and the Missing Sea of Fire," both of which are available on Kindle and in paperback.

The Soul of a Great Book

"Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens." -- Carlos Ruiz Zafón in "The Shadow of the Wind"

The Shadow of the Wind had everything in it I look for in a book: magic, an intricate plot, multiple intrigues, and stakes that kept going up as I turned each page.

Of the novel, Booklist wrote, "Part detective story, part boy's adventure, part romance, fantasy, and Gothic horror, the intricate plot is urged on by extravagant foreshadowing and nail-nibbling tension. This is rich, lavish storytelling, very much in the tradition of Ross King's Ex Libris (2001)."

I will re-read the book again and again for that rich and lavish storytelling as well as its the detective story. But it stays with me primarily because of its themes, one being that every book has a soul that begins with the author and expands as readers pick up the novel and read it. We smile at this, I suppose, seeing a bit of quaint animism in the notion.

Perhaps soul isn't a word we're comfortable with here. Perhaps influence is better, an influence that grows over time so that we begin to see the characters and settings as actual, as having happened in another time or place, or perhaps yet to happen, but more real even than the people we meet on the street or those who live next door an invite us over for beer and barbecue and then leave the TV on so that we know their food and their tastes in entertainment and then go home seeing them as very finite compared to, say, Rhett Butler or Scarlett O'Hara or Harry Potter or Elmer Gantry.

As people read, books often become larger than life, so much larger than the characters and plot that first began taking shape inside an author's head, so much larger than "a book about a school of wizardry" or a book about "a carefree boy growing up along the Mississippi River." The story grows as others read it, think about it, fantasize about the events and characters in it, and then go talk to their friends about it and wonder whether there will be a sequel or a movie version coming soon. All of this transcends advertising and buzz and hype, for once all that is gone, each of us sits alone in our quiet moments with the book in our hands, and there we drink in the words and they change us at the very same moment our association with the book is changing the book.

Soul and spirit and influence don't quite cover what is happening here, but what a marvelous interchange of realities and dreams comes to us from "Once upon a time" and all that follows.
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--Malcolm R. Campbell is the author of Garden of Heaven, a hero's journey novel about heaven, hell, love, and war and the differences between them.

Novelist and Shaman

When I compare sources describing the shaman's journey and the novelist's journey, I see similarities. Both begin their journeys by relaxing, setting aside distracting thoughts, calming themselves and using their imaginations as the catalyst for the trip that follows. In both cases, the imagination begins the journey, but isn't the journey itself.

Information--whether visual, heard, or sensed--comes to both the shaman and the novelist through motifs and symbols they know and are used to interpreting. During their training, both are urged to journey with intent but with a nonjudgemental attitude. Listen, pay attention, remember and record what happens.

Like the shaman, the novelist often goes through preparatory rituals. In both cases, these serve the same function: they facilitate, empower and honor the trip. The shaman may keep a feather close at hand and ride down to a theta brainwave frequency on the beat of a drum, and that journey may always begin with a nonphysical point of departure such as a meadow or an old log or a camp fire. The novelist may work in a room with meaningful photographs and artwork, and ride into the otherworld of the story s/he is telling on the ticking of a clock or the play of light through the window or music for the moment.

My point of departure in either mode is an "imaginary cabin" in a real valley in Glacier National Park. Those who meditate, whatever their intent, often visualize their departure points as relaxing beaches, meadows, lakes and mountain tops. Once there, the imagination backs away and the journeying, listening, or healing begins.

I placed my "imaginary cabin" in a location I'd physically traveled to many times. It's also a location that has been captured in many photographs, so I see the valley in nearby pictures here in my den before I see it in my mind's eye. I have been using this cabin for meditation for almost 40 years. Over time, it's taken on all the comforts of home. At the beginning, I relied on longer relaxation techniques to "get there." Now, I can "be there" in an instant.

My journeys overlap. That is to say, there are few boundaries for me between a shamanic journey and a writing journey, for in both cases, I am soaking up information and inspiration. My novels The Sun Singer and Garden of Heaven both mention this cabin. Sarabande, my novel in progress, also mentions it. While readers know what the cabin looks like from the descriptions in my books, I think an intuitive shaman or psychic could probably find the cabin in nonordinary reality and see that it is no less real there than the lake it sits beside.

If you write, you probably have your own rituals, techniques, and processes. Maybe you puzzle together your first drafts the way a carpenter builds a cabinet or may you type very rapidly and just let the story flow out across the page or the screen.

While I like the "power" of all the comfortable objects that resemble clutter to everyone else, you may prefer a clean desk and a room with a minimal number of photographs or art works. We each do what works for us. But, should you tell me that there are times when your characters talk to you when you're not even at work and/or that when you are writing, your characters do and say unexpected things, then I'm going to smile and see that there is some journeying in your approach.

Like a shaman, the novelist, composer or artist at work has an opportunity to learn much that s/he did not previously know just from going through the process of creation. In some ways, the book, song or painting that may occasionally result is a byproduct of what is really unfolding within the individual.

--Malcolm

Contemplating the News Value of Paris Hilton's Butt

Skimming through back issues of the online NYDailyNews, one sees that editors considered Paris Hilton's ass newsworthy in Oops! Paris Hilton reveals full moon in sheer leggings disaster just two scant days before Thanksgiving last year.

Frankly, even my fictional reporter Jock Stewart won't stoop this low.

Considering standards, let's stipulate that the ass report was probably timely. That is, unlike this post, the story was filed right after the ass appeared.

News should also be real. Here, I have no way to judge any more than I can judge the nearby story, "Whoa! Kim Kardashian flaunts her famous assets." In this case, the assets weren't an ass. But reality is a relative thing: you decide.

Looking at news as a story of an idea, event or problem, I don't know whether the assets or the ass were a problem, much less an idea. But, like "Heidi Montag suffers major wardrobe malfunction in Costa Rica while swimming in tiny bikini" we presume the revealing moments were actual events.

It is said that news interests people. Putting these stories in the same "interests people" bucket as car wrecks on the road, they are a feast for unapologetic gapers. "Jaw dropping," is a term we often hear.

For news to be news, it must be either near or big. Little events far away seldom attract our attention, while big ones do. Objects in a gossip reporter's field of vision may, like things seen in rear view mirrors, may be closer than they appear. This concept must apply to butts and bosoms.

While the Hilton report probably didn't cause gossip columnist Walter Winchell to turn over in his grave, I can't help but think that Edward R. Murrow and Ernie Pyle would say that even though the ass in question involves the words "Paris" and "Hilton," it's not all its cracked up to be.


Malcolm R. Campbell is the author of Jock Stewart and the Missing Sea of Fire and the Morning Satirical News web log.

 

Southern Snow Keeps Many People at Home

Here in the south--Jackson County Georgia, to be specific--six or seven inches of snow means schools are closed, many businesses are closed, and (apparently) even the post office shuts down neighborhood delivery. The kids have a field day while mom and dad try to run the house with extra people in it.

Since our cats don't go to school, my wife and I don't have extra work when it snows. Some things, like Monday morning grocery shopping get postponed. With the freezing drizzle on top of the snow, we might not even take the cars out tomorrow.

When I lived in Waukegan, Illinois, I had a one-hour commute to work under the best of conditions. When it snowed, we were still expected to be there regardless of how long it took. Woe be unto the person who claimed they were snowed in when people were already at the office from the more rural areas that saw fewer snow ploughs.

I look at our cars sitting here in the driveway, and get a bit of a guilty feeling about it. If I still lived in northern Illinois, I'd be brushing all that snow off, shoveling the driveway as needed, and driving some forty miles to work. Jackson County gets measurable snow so infrequently in spite of our Christmas snow last year, that none of us are expected to go anywhere or do anything other than talk about the weather.

--Malcolm

My eyes glaze over when I read about optimizing web sites

If you ever write a post about optimizing web sites, I'm not going to read it. Why? Well, frankly, I see so many posts like this that after a while they become more platitudinous noise in the environment like posts reminding us to stay hydrated while jogging or to brush our teeth before we go to bed.

So, I will not describe here my time and effort this week to update my Garden of Heaven web site so that more people will find it, read a little here and a little there and then buy the novel. My intent was to splash more of my passions around the site and hope that others with those passions might enjoy reading about them in my fiction.
 
For me, all of this answers the question: what drives you? What do you like, what do you write about, and might people with similar feelings and likes be drawn to your fiction? If you like this question, you can read my post about it here: Authors, What Drives You?

Glacier National Park

My passions include Montana, mountains and hero's journey stories. Since Garden of Heaven and The Sun Singer are both hero's journey novels set partly in Glacier National Park, I added more Glacier information on my web site. If you're passionate about Glacier National Park and/or are thinking about becoming passionate about it, you might enjoy another of my historical posts about it here: All Aboard for Glacier National Park.

Screwing Mark Twain

The misguided people in charge of NewSouth Books believe they are helping literature and/or today's school children by removing the word "nigger" from Huckleberry Finn and replacing it with the word "slave." They claim they are simply finding a new way to express the truth. The truth about the days when Twain's characters lived and breathed is what they lived and breathed. One of those things was the word "nigger."

Those who want to "update literature" are doing authors a great disservice. Worse yet, they are doing today's readers a great disservice. The New York Times article about the screwing of Mark Twain is here. Author Lee Libro has a wonderful post about it here. I take a more indirect approach by writing satire about it here where a fictional book publisher issues a "cleaned up" biography of Harriet Tubman without the pejorative word "slave" in it.

Another Snowy Weekend

We had snow in northeast Georgia for Christmas. Now, weather forecasters are telling us we're going to have even more snow this coming weekend.Maybe five inches.

Atlanta and the towns to the north of it tend to be overly anxious about snow, so this weather report may be making a blizzard out of a few random flakes.Better safe than sorry, we say, especially those of us who remember the "Snow Jam" of 1982 and the very real blizzard of 1993.

If so, it will be a good time to stay inside and read--after throwing a few snowballs, of course.

--Malcolm

Stories as a writer's fuel

I have always found that when I am reading interesting books, my writing is better. Agatha Christie's detective Hercule Poirot often told people he solved crimes by using his "little grey cells." As a writer, I think those little grey cells remain more creative, alive and imaginative when they're constantly discovering or re-discovering "story input" from new and exciting novels or old "comfort food" novels.

Several days ago, I put the following quote on my Facebook page from writer Myla Goldberg from her review of Jose Saramago's Blindness: "I am not a person who re-reads books. The world is too large, and life too short. A book re-read steals time away from a new book I have yet to discover, a book that on my death bed will have gone unread."

Most of the people who commented on that quote said they re-read books. Some did it because the books were fun and comfortable; others because they saw something knew every time they re-read a favorite. Goldberg's point of saying that in her review was that Blindness is so good that she's read it more than once.

I typically re-read books when (a) the current book I'm reading is failing to hold my attention and/or (b) the story or the writing style draws me back to the book much like spending an evening over coffee with a good friend. Sometimes there's a message there for me: i.e., I read a portion of the book and, somehow, it answers a question that's been on my mind. Other times, I think the little grey cells have gotten bored and lead me to pick a title off the shelf that gets them un-bored.

Right now, I'm reading (finally) Kate Mosse's Labyrinth. I'm often attracted to "secrets" books where people--often in multiple time periods--are seeking or protecting some ancient bit of knowledge. Katherine Neville is often credited with having invented this genre, starting with The Eight and then following that up with The Fire. I've read both of those books more than once partly because I liked them, partly because alchemy is an interesting subject, and partly because I thought there were flaws in the plots of both and went through them again to discover why.

Kate Mosse's Labyrinth is providing excellent fuel for the little grey cells as I work on Sarabande, my sequel to The Sun Singer. Oddly enough, I was re-reading Neville's books during National Novel Writing Month when I began work on Sarabande. For me, one pre-requisite for the "stories as fuel" is that what I'm reading needs to be different from what I'm writing. It's not so much because I think I'll unconsciously copy style and plot elements from the books I read; it's more that I'm looking for a contrapuntal theme or feeling.

Lately, Mosse and Neville have provided just enough spice for the little grey cells to keep them awake and working on my own writing. I don't have any particular theory about books as fuel other than to suggest that maybe "like is compatible with like" or that "word beget words" or "stories beget stories."

I can understand why some readers never go back and re-read anything. Yes, life is short, as Goldberg said. Some people feel the same way about vacation spots, restaurants, museums and just about anything else that interests them. No matter how good "it" was, they prefer to go on to something new rather than re-visiting where they have been.

I understand. Yet, I like going back to favorite vacation spots like Glacier Park and Asheville, North Carolina. I like re-reading Pat Conroy's books. I like going to Outback Steak House again and again. And, my temperament and my little grey cells like finding inspiration in the words of others under the heading of both "new" and "rerun."

--Malcolm