Writers Open Windows to Unknown Worlds

"How is it that a work of art, bearing the mark of the artist's deep unconscious resources, can act on other people, on someone other than the artist himself? It is because the archetypes which flood the unconscious of all of us are part of a much larger collective unconscious. The work of art, being thus charged with the unconscious material we share with the artist, is able to arouse resonances within us." -- Jean E. Charon in "Man in Search of Himself"

I read Man in Search of Himself about the same time I read Joseph Campbell's The Hero with a Thousand Faces and they became a mantra. Using art to include fiction and poetry, it was clear to me just why the hero's journey had such a profound influence on so many novels and feature films. Over and above the action in the storylines, the myths that formed the basis of the work resonated with readers and viewers in profound ways.

The writer (publisher, producers, actors) seldom meet any of the readers and viewers who are drawn to their work. So, they seldom have a chance to compare notes about what they found in the work.

Whether it's a movie or a novel, the story--and advertisements and word of mouth promoting that story--is usually what draws people to a film or novel. Once there, the resonances that occur when writers and directors open windows to unseen worlds may not be imediately conscious. Quite often, readers and viewers will say a book or movie is a favorite, perhaps that they have gone back to it again and again, yet they will struggle trying to find the words to explain why.

The reason is often that some aspect of the myth--the mythos--behind the plot has struck a deep and emerging need within the reader or viewer that s/he has not yet discovered. In fact, as Marianne Burke writes in her book Re-Imagining Mary, artists who have provided sacred "scenes have provided us with 'windows' into depths unknown perhaps even to them."

The resonances, windows, depths, and myths may be unknown when the works are produced, only to be discovered later as artists, authors, producers, critics, readers and reviewers begin discussing just what it was that drew them into the story and, once there, what they found.

Carl Jung wrote in his Red Book that "To give birth to the ancient in a new time is creation." This birth happens because the writer/artist has conciously or subconsciously been drawn to an archetype and/or an old need within himself or herself to explore something that his/her life requires. So, s/he opens a window into a world that's been personally unknown within his or her experience.

Once that window is open, whatever is "out there" becomes part of the artist and--if it produces a strong impact--his or her paintings, screenplays and novels as well. While working on my novel Sarabande (due out this fall), I was drawn to the myth of Inanna's Descent to the Underworld. The story dates back thousands of years. Why did it resonate with me like one tuning fork next to another tuning fork?

Why the resonances now?

Perhaps the old story resonated with me now because it works so well as part of a heroine's journey novel. When you read Sarabande, you'll find the Inanna myth within it, and it will either resonate with you or it will pass you by as just another wrinkle in the plot. "Myths or mythos," writes Marianne Burke, "express truth closer to life's meaning than facts."

Such truths may be truths I have needed to deal with. That is, the Inanna myth may well have come forward now because it expressed truths my life was ready to accept. I tend to think this is the case rather than seeing the trials of an ancient Sumerian goddess as an interesting theme only within my novel.

Usually, rushing to answer such a question obliterates the question. It's rather like trying too hard to capture a dream that was so clear just moments before waking up. So, I tend to let the matter sit, simmering on the back burner, until the reasons it's important to me become clear. It's like that with readers and film viewers as well, I think. They come away from films and novels with truths and experiences that won't become evident for years to come.

--Malcolm

Nine writers having a great discussion

Author Smoky Trudeau Zeidel is hosting nine writers from Vanilla Heart Publishing in a chat on her review site this week. Stop by and ask a question or leave a comment, and you'll have a chance to win an e-book.

From her introduction: I invited all VHP authors to take part in a Q & A session with me where they could talk about themselves and their books. Nine authors choose to participate: Malcolm R. Campbell, S R Claridge, Melinda Clayton, Charmaine Gordon, Robert Hays, Collin Kelley, Marilyn Celeste Morris, Vila Spiderhawk, and Janet Lane Walters. Some were chattier than others, as you will see! They write in a variety of genres: romance, mystery and suspense, contemporary, fantasy; you name it, they write it, because they are a gifted bunch of writers.

The Glacier Park Connection

I've finally put up a web page about my three Montana novels and their connection to Glacier National Park. "The Sun Singer," "Garden of Heaven," and "Sarabande" (coming this fall) all have major scenes in the eastern side of the park within hiking distance of Many Glacier Hotel.

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--Malcolm

Thanks to the Witch of Babylon, I finished my novel

In the early 1980s, I came up with the basic plot for a heroine's journey novel called SARABANDE. Today, I finally sent the manuscript to my publisher.

I avoided writing the novel for almost 30 years because it took me that long to feel confident enough to write a novel told from the viewpoint of a female protagonist. Heroine's journeys, also called lunar journeys, are dark. SARABANDE has some dark scenes that were painful for me to write.

As I finished up my editing and rewriting--much of which focused on those scenes in chapters three and seven--The Witch of Babylon arrived on my doorstep from Penguin. Written by D. J. McIntosh, the book is billed as the first in the "Mesopotamian Trilogy."

Those of you who have enjoyed the "ancient secrets" books by Dan Brown, Katherine Neville, and Raymond Khoury will love this book. I am enjoying the book because it's (as they say) a page-turner. It's also what I needed while editing SARABANDE.

Why? Because it diverted my attention from those painful scenes. I really did need to come up for air, take a break, smell the roses and zone out. "The Witch of Babylon" was the strong and addictive medicine I needed.

This morning, with the witch's help, SARABANDE is now sitting at Vanilla Heart Publishing waiting for my trusty editor to go through it and my wonderful publisher to turn it into a book.

Meanwhile, I'm enjoying the closing chapters of "The Witch of Babylon."

--Malcolm

Becoming uplugged from the rat race is so hard to do

There are days when the "Zen" and the "Create Your Own Reality" of my fiction seems a lot more like fiction than I normally believe. If one can remain relaxed and placid and depend on the magic of apparent coincidences, then s/he will be in the flow without having to twist, turn and fret about making positive serendipity happen. My peaceful life would be spent in a mountain cabin alongside a peaceful mountain stream.

All it takes (apparently) is a computer problem to prove just how much the PC I would like to ignore has become an indispensable part of my daily life. Since I don't know who else to blame for this problem, I'm blaming whoever came up with the idea that writers need to do their own promotion.

In the old days--as I nostalgically fictionalize this problem--a writer sent his/her stuff to an agent. The agent sent it to the publisher. The publisher sold millions of copies. The author got royalty checks while keeping the beer cold in the bubbling, glacier-fed creek behind the house.

We can't do that any more because, as the new gurus tell us, we need to spend 100 hours promoting our work online for every hour we spend actually writing and editing. Enter, the evil computer with the hundreds of little connections to blogs, authors' bulletin boards and chat rooms, marketing gurus, social networking places, and a thousand other rat race highways where one has to maintain a presence to sell any books.

My primary computer, a two-year-old Dell Inspiron 330, has been down for two days. It won't boot. The hard drive is bad, corrupted, missing...nobody knows. It will probably be cheaper to replace it than to fix it. Meanwhile, the disruption is worse than the problem itself.

With the computer, I'm stuck in the very rat race my friend Nancy Reiter described in her book Unplugged: How to Disconnect from the Rat Race, Have an Existential Crisis, and Find Meaning and Fulfillment. Without the computer, I'm out of the rat race and out of touch.

I don't have an answer to this. It's just that as a preacher of an unplugged lifestyle, I feel like I'm an Elmer Gantry con man. Perhaps my books should come with a disclaimer: "Don't do as I do. Do as my characters do."

I like the idea of moving away and finding that mountain stream, but so far the biggest drawback is going to be that the stream doesn't have WiFi.

--Malcolm

House Funding Bill Reverses Policy to Protect Grand Canyon

from the National Parks and Conservation Association:

Rider on Interior Appropriations Would Severely Degrade National Park, Reduce Overall National Park Funding

July 7, 2011 Statement by NPCA Senior Vice President of Government Affairs Craig Obey

“Today, the House Interior Appropriations Subcommittee unveiled legislation that is a direct assault on the preservation of Grand Canyon National Park and the Colorado River. The bill includes a rider to prevent a much-needed temporary moratorium that protects Grand Canyon National Park and the Colorado River from contamination by uranium mining.

“The moratorium recently announced by Interior Secretary Salazar protects one million acres of federal lands around the Grand Canyon from uranium mining. This decision ensures future generations will be able to enjoy a Grand Canyon unmarred from this development, and a Colorado River that has a fragile ecology is protected. The House rider would overturn this important decision.

“By keeping this beloved national park unspoiled by inappropriate development, the moratorium allows the Grand Canyon to continue to be a major economic engine for Arizona and across the region, estimated in a Northern Arizona University study as being responsible for bringing $687 million in revenue to the region and creating more than 12,000 full-time jobs. And, in addition to securing the Grand Canyon’s natural beauty and its place as an economic jewel, this moratorium will also prevent further infiltration of dangerous contaminants, including uranium itself, into the Colorado River, which supplies drinking water to 25 million people.

“Proposed funding under the bill is also worrisome. The overall funding level in the Interior appropriations bill is fundamentally insufficient to meet many basic conservation needs. In relative terms, the Interior bill cuts National Park Service operations funding far less than many other programs, and it is clear the subcommittee did its best to protect this fundamentally important area. Nonetheless, the $18 million in operational cuts would mark the second consecutive year of reductions in the NPS operating account—unprecedented in post-World War II history—beginning a slow but steady return to the crisis days the parks experienced only a few short years ago.

“That cut, together with the virtual eradication of the Land and Water Conservation fund and an appropriation for construction more than 30 percent below the level the Park Service received in FY 2010means that overall funding for National Park Service programs would be, in real terms, $480 million below FY 2002.

“For all of these reasons, National Parks Conservation Association must oppose this bill.”
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As a long-time member of the National Parks and Conservation Association, I see many articles and news releases about threats to the environment. One of the greatest insults, I think, is when they come from the very people who are supposed to be working on our behalf to protect wild places.

--Malcolm

Sarabande to be Released This Fall

I'm happy to announce that "Sarabande" will be released by Vanilla Heart Publishing in the Fall of 2011.

After Dryad haunts her from beyond the grave for three years, Sarabande undertakes a dangerous journey into the past to either raise her cruel sister from the dead, ending the torment, or to take her place in the safe darkness of the earth.

Sarabande leaves the mountains of Montana for the cornfields of Illinois on a black horse to seek help from Robert Adams, the once powerful Sun Singer, in spite of Gem’s prophecy of shame. Siobhan tries to help her with the gift of an enchanted Rowan staff, Danny tries to kill her alongside a deserted prairie road, Billy tries to save her with ancient wisdom, and Robert tries to send her away.

Even if Sarabande persuades Robert to bring the remnants of his magic to Dryad’s shallow grave, the desperate man who follows desires the staff for ill intent and the malicious sister who awaits desires much more than a mere return to life.

--Malcolm